"We adopt this strategy now because there's an urgency to this debate. Over time, the space of free expression has shrunk." –Lawrence Lessig
In New Zealand the Internet is an Opportunity for Artists to connect with new fans across the world.
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The Internet has created new opportunities for artists: new opportunities to reach fans and new opportunities to earn a living. In the past, artists like us had to reach fans through companies that relied on old technology. These companies are now being forced to find new ways of doing business but instead of embracing the Internet they're fighting it.
They fight progress by demanding changes to Copyright laws. In effect, they say, "lock down the Internet so our 1960s way of doing business can still work in 2010." In doing so, they erode civil liberties and hold back the discovery of the new business models. They want to control the Internet just as movie companies wanted to control the VCR when it was first released. But, unlike then, courts and lawmakers are not safeguarding our interests.
It's time for artists to stand up and say: enough! The greatest problem that we artists face is obscurity, not piracy. America's record companies have resorted to releasing malware and suing people without computers, alienating fans rather than figuring out how to turn them into satisfied customers. This cannot continue.
The Internet offers enormous opportunity for New Zealand's artists to break out of obscurity and sell directly to millions of waiting fans. But if the record and movie companies get their way, snooping on innocent people's Internet connections and acting outside the legal system, we risk training fans to have the same cynical attitude in return: "to hell with them".
We don't endorse counterfeiting, mass duplication stores. These people hurt artists, robbing us of legitimate sales. But when an individual fan wants our work enough to go through the hassle of finding a way to pirate it online, we see that as an opportunity. It's an opportunity to meet the fan, to connect them to the artist, and ultimately for the artist to be rewarded for their work. This opportunity will be squandered in the world of restrictions, distrust, and civil rights abuses that the middlemen companies want to institutionalise.
– Nathan Torkington, Musician and Technologist
December 2008