"So many people tut and say "Someone should do something", but so few step forward and say "...and that someone is me" –Terry Pratchett
Current copyright law criminalises a lot of speech, art, and social commentary. Remixes, mashups, and digital citations are valuable creative contributions to society, they're not what most people would call "piracy", and yet the law considers them the same. We need debate within the art community about this. Let's get creative about new opportunities for art and industry.
View Lawrence Lessig's elegant presentation of "three stories and an argument" at the annual TED conference. Rising to TED's challenge to give the talk of his life (in 18 mins), the world-renowned lawyer brings together John Philip Sousa, celestial copyrights, and the "ASCAP cartel" to build a case for creative freedom. He pins down the key shortcomings of our dusty, pre-digital intellectual property laws, and reveals how bad laws beget bad code. Then, in an homage to cutting-edge artistry, he throws in some of the most hilarious remixes you've ever seen.
Artists do things with text that would be illegal if they did them with audio or video because copyright law hasn't kept pace with technology. Copyright law was designed in a time where consumers couldn't publish widely and they remixed only in text, a culture before people had access to video and audio editing computers.
The harm of the existing scheme is that it criminalises many types of expression. People are already remixing video and audio to comment on elections, to make new music and video, and it's a worthy contribution.
We should talk about ways to avoid criminalizing popular media, social commentary and potential businesses.
If you want to read more about copyright and its effects on society, see Resources. This Wall Street Journal article is also quite good.
There are many thousands (maybe even millions) of photoshoped images made from multiple sources for art and commentary. There are tens of thousands of fan-made music videos. Here are just a few examples of remix culture,
THE GREY ALBUM, Danger Mouse & Jay-Z.
Swiftly curtailed by heavy-handed action from EMI's lawyers, the combination of the a cappellas from Jay-Z’s farewell The Black Album and the Beatles' "White Album", superbly disassembled, justified the media hoopla. Most mash-ups and bootlegs have a short shelf life, but this skilfully crafted musical mismatch is a great deal more than just postmodern pranksterism. – Listener Magazine (New Zealand)